The Computer Accent is a documentary following the boundary-pushing pop group Yacht as they try something terrifying and new: handing over the reins of their entire creative process to Artificial Intelligence. Working with technologists and leading AI researchers, Yacht uses cutting-edge data analysis tools, machine learning, neural networks, sci-fi instruments, and generative composition strategies to create a new kind of human-machine album--music, lyrics, artwork, videos, and all. Putting AI to the test in the name of art, Yacht is a guide through the brave new world of machine intelligence. Along the way, they will question their own roles in a future where software anticipates, generates, and synthesizes human work. They have collaborated with multi-hyphenate filmmakers and artists to bring their debut films to fruition, such as: Celia Rowlson-Hall's MA, Carson Mell's Another Evil, Dean Fleischer-Camp's Fraud, Theo Anthony's Rat Film, Marnie Ellen Hertzler's Crestone, and Zia Anger's My First Film project.

Not zeros and ones or binary code--though that's a language, too--but a visual vernacular that helps humans make the connection that, yes, a computer was here and it made its mark. It comes in all forms: the perfect crispness of an illustration drawn on a Wacom pad; the trippy swirls of a Google Deep Dream image; the fuzzy imperfection of an AI-generated font. "We call it the computer accent," said Claire Evans, lead singer of synth pop band YACHT. For their recently released album, Chain Tripping, Evans, her bandmates, and a cast of creative AI experts explored how this so-called computer accent can be used to artistic ends. Sure, this is nothing new--you can't really get more "computer accent" than Kraftwerk (Computer Love was released way back in 1981, to name the most obvious example.)